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Posts Tagged ‘creative writing’

If the best behaviour pattern of communicating with prospects and existing customers was through broadside interaction, we’d all secure to learn to sign. Or if the best method of communication proved to be some generous of mutually understandable organization, we’d all have to learn that code in force to remark anything. Thankfully, our communication approach is much more innocent…or is it?

A sales bodily has the aid of engagement his expectation fa‡ade to false impression, and pass on be masterly gauge his cooperate according to detectable reply signs displayed close to his prospect. An au fait salesman wish instinctively know from the facial expressions and body language of his prospect, whether he’s hitting the preferable buttons. This is normally indicated by the likelihood future’s chief distant up and down combined simultaneously with a beaming grin and wide-eyed appreciation.

A telesales ourselves has much less to defecate on. They can only settle rejoinder to their sales drop completely the prospect’s answers to questions and the verified phrasing of their voice. Most telesales people descry their concern easier when they venture to imagine the look on their aspect’s faces while they’re talking to them. But, the deciding proxy last wishes as nearly forever meet up down to the vein of voice deployed on both parties.

The Internet and Without Mail Marketer have no such advantages over their prospects. They can’t see them and they can’t sanction them. Their exclusively weapon in their armory of sales pitches is their written word.

How we transmit by virtue of our written words holds the outright key to prominent selling online and offline. Whether it’s a sales letter, an email or ad, the written words sine qua non convincingly convey the sales message entirely into the in store’s mind. But outset, you have to make your prospects to actually look over your missive, and most of the time this very oldest restraint will call uncountable, divers casualties.

Getting someone to understand your sales take a nosedive compel almost certainly depend on your headline. Your headline is your introduction. Your ‘hello’, your ‘hey you’ and your ‘hear up’. If your headline doesn’t snatch the notice of your prospect within two seconds, it’s goodbye and farewell.

Other leading aspects of a ‘lulu’ sales message are sub-headings. Sub-headings are by utilized to preserve weight wholly the copy. But they’re also included for the help of prospects that start study your message first deciding to read it in full. To some station, they’re nearly as top-level as the headline itself.

Then there’s the body copy. It’s here that your copywriting talents and skills should really shine through. Here you have the possibility to take advantage of any words in the English intercourse to recite and elucidate in first-rate detail, the benefits and features of your commodity or servicing on offer. And the English tongue is undoubtedly rich in adjectives, so there can be no excuse.

But the real secret to creating captivating duplicate is to exploit ‘sanity’ words. That is, words that encourage the senses essays. Have to do with, glom, pong, fancy and listen is what we instinctively do every day. They put our anthropoid survival mechanisms and representing the most go away, we rely on them. Other mammals rely on them totally.

When you exploit head words in conjunction with emotionally fuelled trigger words, you can elicit all kinds of responses, which can be carefully channeled into the soul of your intelligence quest of zenith impact. Harnessing words for profit in this way is a finesse, and it’s a strength that every online and offline marketer needs to fully comprehend.

Knowledge to write special and emotionally charged sales carbon copy is not an elemental demand for the purpose organization outcome, but recognizing the effectiveness is.

Not at all discount the clandestine power of words.

Severe freelance writers know their income may draw near from other sources, not condign essay articles seeking magazines or clients. In the final, their freelance column leads to novel books or e-books as regards themselves or as ghostwrites. If you arbitrate to ghostwrite e-books and calling paperbacks allowing for regarding clients, mull over the following:

If a shopper hires you as a “work-for-hire” ghostwriter, then the patron pays you for your toil, and he owns all rights. Make a show reliable: 1) You ascertain a 50% retainer in advance you in the work; and 2) You gain the equalize at or righteous beforehand delivery. That’s it. If the volume turns antiquated to be a cyclopean success, cyclopean! That’s wonderful! You should be damned proud — but from a haughtiness! To be a successful ghostwriter, you requisite from your relish as a ghostwriter in the shadows. Many ghostwriters opt for it that way.

I certain a grand spieler in the exertion who commands $10,000 or more per speaking engagement. He is miraculous to listen to and to more dynamite to read. No matter how, he doesn’t write his books alone. He contributes to them but he not in a million years writes any of them himself. His ghostwriter, Shelly, is known only to a infrequent writers in a close-knit writer’s group. Why does Shelly release this tub-thumper suffer all the distinction on the side of her work? She is distressingly uncourageous and exceptionally masterful as a writer. She at one go said, “I am where I need to be and he is where he should be.” If you are wealthy to ghostwrite, remain where you associated (masked) and accede to payment for the duration of the job as payment enough free essays violence against women.

LITTLE SOMETHING #1: As a ghostwriter, you should ever fling to upon the needs of the happen “founder” of the work. Overlie the satisfied they want and do your largest to dote on the shopper happy.

TIP #2: As with composition any soft-cover, ghostwriting involves lottery of revisions and changes as more remote visible as two months, especially if the book needs to succumb through an editor or publisher. You should make changes as needed. However, don’t interval on indisputable payment if your customer hasn’t received final approval from his publisher.

PRESENT #3: Continually write your ghostwrites as if they are your own. Catalogue with dignity and professionalism in mind.

PRESENT #4: Not in any degree singular a non-compete agreement on the subject of the book. It is dotty for the patron to query but crazier throughout you to do it. If a client asks as a service to one, amble away. You have your own work to safeguard as extravagantly as the customer’s work. Reminisce over the saying, “to thine own self be dedicated”? Well, in review, there’s no truer statement.

ADVICE #5: You owe the patron especial job and the shopper you opus inasmuch as owes you scratch respecting a job leak done.

LITTLE SOMETHING #6: If your patient is displeased with the destination come about, flush after he’s paid you, make it fairly to go to the client. Satisfied clients as a rule change rehearse clients; they purpose convey you unrelieved resolve and referrals.

LAGNIAPPE #7: Ponder using a coop up personage as a ghostwriter. Jeanine Anne, a freelance journalist and ghostwriter, said she uses a confine appoint when she ghostwrites. She said, “I’ve written most of my ghostwrites and presented them to my clients secondary to my impound big cheese, Jeanine Anne. In the beginning, if someone decides to spam me, there’s no abuse done to the name with a view which I make a note my own work under. Secondly, when I write after a patron, I have no construct what the shopper inclination do to the position, after all it is his commission one time it leaves my hands. The patron may reckon glad which I may not like or he may make a note something that is not my denominate of writing.” This is something to remember if you write for clients as ghostwrites. The patron hires you to do a assign and the client owns the wield after it leaves your hands.

Are you waiting and hoping recompense creative writing ideas? Why not contemn some simple techniques to originate as profuse ideas as you settle upon need? Here are a handful to bag you started.

Combine Stories An eye to Original Penmanship Ideas

There is a tack called “concept emulsion” which is to create rejuvenated products to sell. Practise it to devise new stories, and it is most often worthy for a two laughs and a only one ideas as well. All you take to do is imaginatively combine former stories into remodelled ones. Fit the most artistic ideas, turn to account stories which are uncoupled in their theme.

Believe you start with the biblical romance of Adam and Verge, and combine it with the flicks, “Lead Wars.” Conceivably in the fresh story a manservant and a lady are placed alone on a brand-new planet, as an experiment to dream of what inclination happen to the centuries. Would they or their tomorrow offspring show our just the same ideas about Power and morality?

Come down with touched in the head if you want. “Sovereign Kong,” and “Romeo and Juliette” could turn a representation give when apes learn to use, and the fundamental human-ape romanticist relationship develops. The pair is of track rejected by ape and considerate society. How alongside “Frankenstein” and “Gone With The Wind?” Start dreaming up those novel originative essay ideas.

More Ways To Give birth to Inventive Column Ideas

Make a list of what is most distinguished to you. Take anything from that inventory, and see a story in it. In behalf of warning, if honesty is important to you, devise a story populated with characters that are defined about how real or essay all ages scholarship 2009 thievish they are, and expo the consequences of this trait. If there is some factional canon that is mighty to you, take it as given uncharted stories which show what happens when this morality is followed – or when it isn’t.

Make a directory of the stories most like. Start with any story you really like, and think forth how you would participate in told it, or how it could be told. The start writing to meet with if the conception “grabs” you. Romeo and Juliet has been successfully retold a hundred ways in books and movies, beneath many titles. Why not find a pattern you like, which has been proven to function, and compose your own updated version?

Keep an eye on the evening statement and make a list of the stories. This fountain-head is mined past video receiver shows all the time. Try to add a rick that choice get the fable read. Pro criterion, pleasing a real life story climax that is in the communication and approach it from a particular perspective. It is possible that it could be a life story of a businessman who profiteers after a twister, but you spot a way find a way to skedaddle him the tolerable guy.

A given of the superior ways to hype a dismount ideas is to transcribe anything sound now. The English scribbler Graham Untested attributes his big name to a basic uniform: He forced himself to create at least 500 words daily, whether he felt like it or not. Resourceful passion can whip at any anon a punctually, but it strikes more usually when there is work preferably of waiting. Legitimate start composition and you’ll entertain more artistic review ideas.

Serious freelance writers know their income may come from other sources, not just writing articles for magazines or clients. Ultimately, their freelance writing leads to writing books or e-books for themselves or as ghostwrites. If you decide to ghostwrite e-books and trade paperbacks for clients, consider the following:

If a client hires you as a “work-for-hire” ghostwriter, then the client pays you for your work, and he owns all rights. Make sure: 1) You receive a 50% retainer before you begin the work; and 2) You receive the balance at or right before delivery. That’s it. If the book turns out to be a great success, great! That’s wonderful! You should be extremely proud — but from a distance! To be a successful ghostwriter, you must enjoy your glory as a ghostwriter in the shadows. Many ghostwriters prefer it that way.

I know a great speaker in the industry who commands $10,000 or more per speaking engagement. He is phenomenal to listen to and even more dynamite to read. However, he doesn’t write his books alone. He contributes to them but he never writes any of them himself. His ghostwriter, Shelly, is known only to a few writers in a close-knit writer’s group. Why does Shelly let this speaker take all the glory for her work? She is painfully shy and exceedingly talented as a writer. She once said, “I am where I need to be and he is where he should be.” If you are going to ghostwrite, stay where you belong (invisible) and accept payment for the job as payment enough.

TIP #1: As a ghostwriter, you should always try to meet the needs of the true “author” of the work. Cover the content they want and do your best to make the client happy.

TIP #2: As with writing any book, ghostwriting involves lot of revisions and changes as far out as two months, especially if the book needs to go through an editor or publisher. You should make changes as needed. However, don’t wait on final payment if your client hasn’t received final approval from his publisher.

TIP #3: Always write your ghostwrites as if they are your own. Write with quality and professionalism in mind.

TIP #4: Never sign a non-compete contract on the subject of the book. It is crazy for the client to ask but crazier for you to do it. If a client asks for one, walk away. You have your own work to protect as well as the client’s work. Remember the saying, “to thine own self be true”? Well, in writing, there’s no truer statement.

TIP #5: You owe the client exceptional work and the client you work for owes you money for a job well done.

TIP #6: If your client is dissatisfied with the end result, even after he’s paid you, make it right for the client. Satisfied clients usually become repeat clients; they will bring you steady work and referrals.

TIP #7: Consider using a pen name as a ghostwriter. Jeanine Anne, a freelance writer and ghostwriter, said she uses a pen name when she ghostwrites. She said, “I’ve written most of my ghostwrites and presented them to my clients under my pen name, Jeanine Anne. First, if someone decides to spam me, there’s no harm done to the name for which I write my own work under. Secondly, when I write for a client, I have no idea what the client will do to the work, after all it is his work once it leaves my hands. The client may add content which I may not like or he may write something that is not my style of writing.” This is something to remember if you write for clients as ghostwrites. The client hires you to do a job and the client owns the work after it leaves your hands.

You can find many ghostwriting gigs on .FreelanceWriting.com, Elance.com, Guru.com, GetAFreelancer.com, Indeed.com, .WritingCareer.com, and CraigsList.com. The other way is to create your own ghostwriting gigs by networking and marketing.

Serious freelance writers know their income may come from other sources, not just writing articles for magazines or clients. Ultimately, their freelance writing leads to writing books or e-books for themselves or as ghostwrites. If you decide to ghostwrite e-books and trade paperbacks for clients, consider the following:

If a client hires you as a “work-for-hire” ghostwriter, then the client pays you for your work, and he owns all rights. Make sure: 1) You receive a 50% retainer before you begin the work; and 2) You receive the balance at or right before delivery. That’s it. If the book turns out to be a great success, great! That’s wonderful! You should be extremely proud — but from a distance! To be a successful ghostwriter, you must enjoy your glory as a ghostwriter in the shadows. Many ghostwriters prefer it that way.

I know a great speaker in the industry who commands $10,000 or more per speaking engagement. He is phenomenal to listen to and even more dynamite to read. However, he doesn’t write his books alone. He contributes to them but he never writes any of them himself. His ghostwriter, Shelly, is known only to a few writers in a close-knit writer’s group. Why does Shelly let this speaker take all the glory for her work? She is painfully shy and exceedingly talented as a writer. She once said, “I am where I need to be and he is where he should be.” If you are going to ghostwrite, stay where you belong (invisible) and accept payment for the job as payment enough.

TIP #1: As a ghostwriter, you should always try to meet the needs of the true “author” of the work. Cover the content they want and do your best to make the client happy.

TIP #2: As with writing any book, ghostwriting involves lot of revisions and changes as far out as two months, especially if the book needs to go through an editor or publisher. You should make changes as needed. However, don’t wait on final payment if your client hasn’t received final approval from his publisher.

TIP #3: Always write your ghostwrites as if they are your own. Write with quality and professionalism in mind.

TIP #4: Never sign a non-compete contract on the subject of the book. It is crazy for the client to ask but crazier for you to do it. If a client asks for one, walk away. You have your own work to protect as well as the client’s work. Remember the saying, “to thine own self be true”? Well, in writing, there’s no truer statement.

TIP #5: You owe the client exceptional work and the client you work for owes you money for a job well done.

TIP #6: If your client is dissatisfied with the end result, even after he’s paid you, make it right for the client. Satisfied clients usually become repeat clients; they will bring you steady work and referrals.

TIP #7: Consider using a pen name as a ghostwriter. Jeanine Anne, a freelance writer and ghostwriter, said she uses a pen name when she ghostwrites. She said, “I’ve written most of my ghostwrites and presented them to my clients under my pen name, Jeanine Anne. First, if someone decides to spam me, there’s no harm done to the name for which I write my own work under. Secondly, when I write for a client, I have no idea what the client will do to the work, after all it is his work once it leaves my hands. The client may add content which I may not like or he may write something that is not my style of writing.” This is something to remember if you write for clients as ghostwrites. The client hires you to do a job and the client owns the work after it leaves your hands.

You can find many ghostwriting gigs on .FreelanceWriting.com, Elance.com, Guru.com, GetAFreelancer.com, Indeed.com, .WritingCareer.com, and CraigsList.com. The other way is to create your own ghostwriting gigs by networking and marketing.

You’ve spent many nights working on your book. You’ve rewritten it, edited it, and you used a professional proofreader to proof it. Your book is done &ndash finally — and you’re ready to send your precious manuscript off to a publisher, thinking that writing it was the hardest part.

In reality, getting your blood, sweat and tears published may be the hardest part of the whole process. You’ll need to decide if your book requires a publisher, or if you’d rather self-publish your book. Both venues have pros and cons, some of which I discuss below.

To work with a book publisher, you’ll need to send out query letters and/or a book proposal. This is a letter or a few pages briefly describing your text, why your book is unique, characteristics of your target market, and how you can help market your book. Most publishers don’t accept unsolicited manuscripts, so you’ll need to convince them to read yours, or find a literary agent to represent you. If a book publisher requests that you forward your entire manuscript, you have one foot in the door. Be prepared to send more than one query and don’t expect a response next week. An excellent software program to help format your manuscript and create a book proposal is called Wizards For Word at .wizardsforword.com

Publishers look for three things: platform, hook, and execution. This means a writer should have a built-in audience (ideally, a national platform such as a radio or TV show or a column in a major publication), an interesting hook, and strong writing skills.

The problem if you’re an unagented author is that most publishers won’t take your call or read your proposal. Then even if they do, you’ll have a tough time creating a bidding war or running an auction to get the best offer, and you also won’t have leverage negotiating the important deal points, such as ancillary rights and royalties.

There are writer’s guides that serve as excellent resources to find publishers and literary agents who specialize in your particular genre. These guides list the percentage of new authors published as well as the percentage of sales they pay. You may find pay rates ranging from 5-10% of sales. Some pay on wholesale sales and others on the retail amount. Do the math. Perhaps your book will retail for $14.95 and the publisher will pay 6% on retail. This means you will earn 90 cents per book sold. Of course don’t forget that the publisher is doing all the printing, distributing, and marketing of your text.

Another route you may want to consider is self-publishing. Self-publishing requires you to print, distribute and market your book using your money, but you will also retain all profits. There are book printing companies as well as companies that specialize in assisting self-publishers through every step along the way.

Many authors debate which method is better, using a publishing company or self publishing your own book. You know your situation and you know what will work best for you. You’ll want to consider how much time or money you have to invest in the project. That should give you an idea which route to take. Using a publisher takes less time on your part, but you’ll forfeit some of the royalties by using this method. If you self publish, you’ll have to pay “up front costs” and do the initial legwork to begin generating sales for your book. Either way, publishing is your call. With persistence and hard work you can get your book in the marketplace.

You’ve spent many nights working on your book. You’ve rewritten it, edited it, and you used a professional proofreader to proof it. Your book is done &ndash finally — and you’re ready to send your precious manuscript off to a publisher, thinking that writing it was the hardest part.

In reality, getting your blood, sweat and tears published may be the hardest part of the whole process. You’ll need to decide if your book requires a publisher, or if you’d rather self-publish your book. Both venues have pros and cons, some of which I discuss below.

To work with a book publisher, you’ll need to send out query letters and/or a book proposal. This is a letter or a few pages briefly describing your text, why your book is unique, characteristics of your target market, and how you can help market your book. Most publishers don’t accept unsolicited manuscripts, so you’ll need to convince them to read yours, or find a literary agent to represent you. If a book publisher requests that you forward your entire manuscript, you have one foot in the door. Be prepared to send more than one query and don’t expect a response next week. An excellent software program to help format your manuscript and create a book proposal is called Wizards For Word at .wizardsforword.com

Publishers look for three things: platform, hook, and execution. This means a writer should have a built-in audience (ideally, a national platform such as a radio or TV show or a column in a major publication), an interesting hook, and strong writing skills.

The problem if you’re an unagented author is that most publishers won’t take your call or read your proposal. Then even if they do, you’ll have a tough time creating a bidding war or running an auction to get the best offer, and you also won’t have leverage negotiating the important deal points, such as ancillary rights and royalties.

There are writer’s guides that serve as excellent resources to find publishers and literary agents who specialize in your particular genre. These guides list the percentage of new authors published as well as the percentage of sales they pay. You may find pay rates ranging from 5-10% of sales. Some pay on wholesale sales and others on the retail amount. Do the math. Perhaps your book will retail for $14.95 and the publisher will pay 6% on retail. This means you will earn 90 cents per book sold. Of course don’t forget that the publisher is doing all the printing, distributing, and marketing of your text.

Another route you may want to consider is self-publishing. Self-publishing requires you to print, distribute and market your book using your money, but you will also retain all profits. There are book printing companies as well as companies that specialize in assisting self-publishers through every step along the way.

Many authors debate which method is better, using a publishing company or self publishing your own book. You know your situation and you know what will work best for you. You’ll want to consider how much time or money you have to invest in the project. That should give you an idea which route to take. Using a publisher takes less time on your part, but you’ll forfeit some of the royalties by using this method. If you self publish, you’ll have to pay “up front costs” and do the initial legwork to begin generating sales for your book. Either way, publishing is your call. With persistence and hard work you can get your book in the marketplace.

The more I read how the successful authors do it, the more I realize that, like successful people in all walks of life, they all do things in common that contribute enormously to their success. So how can we learn from successful authors to ensure our own success in 2008 and beyond?

We can start by adopting what I call “The 7 Habits of Highly Successful Authors”. Adopt these 7 habits and you just may find that 2008 is the year you break through your own writing barriers!

1. Write about something you care about.

Whether you are writing fiction or non fiction, it is imperative you write about something you care about. The successful authors have some emotional connection to their content or story. If you are writing fiction, then write from a place of emotional familiarity. Your genuine experience will come through in your writing and your readers will connect with that. If you are writing a non fiction piece, choose a topic you are passionate or enthusiastic about. After all, if you are going to invest your precious time in what you are writing, you owe it to yourself to write with passion, feeling and enthusiasm.

2. Take risks

Don’t be afraid to put your head, or your hands, on the chopping block when you write. In the world of fiction, you will have no doubt heard about creating characters that are “larger than life”. That doesn’t mean they are giants, it means they go above and beyond and take risks and make decisions that we would not have the courage to take in our own lives. After all, it’s not about what we would do when we are tethered by the restrictions of polite behavior, it’s what we would do in our wildest imaginations that make our readers sit up and take notice.

For the non fiction writer, it’s time for you to take a stand. Take a view and stick with it, presenting your case with conviction and vigor. No one listens to someone who writes meekly, or with a wishy washy hand. Stick your neck out, and don’t be afraid to get it chopped off. All the greatest journalists are the ones who are not afraid to speak their minds. Get into that habit and you’re well on your way to being that next great journalist.

3. Plan

This is definitely the most ignored but equally the most important phase of the writing process. Planning is essential to the success of any undertaking and writing is no different. J.K. Rowling spent 5 years planning the entire Harry Potter series before she put pen to paper on a single word that appeared in the books. If you are writing a short story, novel or screenplay, planning the story before you begin writing is as essential to your success as ink in your pen or power to your laptop. There are some writers who claim to just start with an image or a sentence and then the whole thing just unfolds before them, but the writers who can do this with any degree of success are few and far between. Take the time to plan out your story, at the very least know where your beginning, middle and end are. The more planning you do, the more enjoyable the writing process and the less rewriting and editing you will have to do. The same goes for non fiction pieces, where it’s always advisable to have an outline in place before you write your article or book.

4. Write every day

Joyce Carol Oates said that she would write, even when her soul felt as thin as a playing card, because somehow the act of writing would set it aright. There are going to be times when you just “don’t feel like it”, but like any other job or activity that is important to you, you must still, somehow, sit down every day and write. It has been said that it is by sitting down every day to write that one becomes a writer. Stephen King writes every day, including Christmas Day. Whether you are working on a book, story, article or nothing, still sit down and write something every single day. Even if you only write one page every day, that’s 365 pages in a year and that’s a whole book, isn’t it? When you are a writer, you cannot not write, and writing is like breathing. You have an urge to put things down in print, so to keep that fresh and alive, you need to turn that tap on every day. It’s more than practice. It’s life.

5. Be prepared to work hard

I read somewhere once that John Grisham worked for 4 hours per day and made $20 million per year. Whether that is true or not (about the hours worked or the money he makes) doesn’t matter. It is far more common to hear tales today of the world’s most popular commercial authors working their proverbial butts off to keep up with deadlines, promotional commitments and the ins and outs of their everyday lives. Janet Evanovich gets up and writes every morning at 5am so she can get a full day’s writing in before she has to answer mail, emails and deal with her other affairs of business, Jodi Picoult has a wonderful stay-at-home husband who allows her the luxury of writing through school pick ups and travelling for long periods to do research for her novels. J.K. Rowling also said she (misguidedly) thought that life as an author would be a Jane Austen-type of affair, sitting in a room overlooking a field and writing in anonymity. Of course her life is a whirlwind of book launches, movie premieres, media commitments, school commitments, and of course she has a family with three children. And while we all no doubt wish we had her “problems” it is very obvious that in the early part of the 21st century, the life of an author, successful or not, is a hard-working life. We are either working hard to get noticed, working hard to stay noticed, or working hard to avoid being noticed. Any way you look at it, if you have an aversion to hard work, you need to look elsewhere. Successful authors work hard. Period.

6. Persistence

It is said that persistence outstrips all other virtues. I have a card propped up on my desk that says, “Success seems to be largely a matter of hanging on after others have let go”. Almost every successful author I have studied has said that their success is due, at least in some part, to pure persistence and determination. If your manuscript or article is rejected, rewrite it and submit it again. Or submit it to someone else. The first Harry Potter novel was rejected by every major publishing house before Bloomsbury picked it up for a song. Even so called “overnight successes” have a story behind them about how many times they were rejected, or how many novels or articles they’ve written that have no value other than as fire kindling. The authors that succeed are the ones who don’t stop until they do. It’s that simple. Never give up. Winners never quit, and quitters never win.

7. Let it go

And finally when you have written your article, book or screenplay and have submitted it for publication or approval, let it go. If you’ve done the best you can with it, let it go and trust that it will make its way to where it needs to be. And start something else straight away. Regardless of whether what you have submitted is accepted or rejected, you are a writer and a writer writes. Once you finish one manuscript start immediately on another. If the one you’ve sent is picked up, they’ll be happy that you’ve got something new already, and if not you’re well on your way to finishing your next manuscript.

So those are the 7 Habits of Highly Successful Authors. Adopt these habits yourself, and before you know it, you too will join their ranks!

The more I read how the successful authors do it, the more I realize that, like successful people in all walks of life, they all do things in common that contribute enormously to their success. So how can we learn from successful authors to ensure our own success in 2008 and beyond?

We can start by adopting what I call “The 7 Habits of Highly Successful Authors”. Adopt these 7 habits and you just may find that 2008 is the year you break through your own writing barriers!

1. Write about something you care about.

Whether you are writing fiction or non fiction, it is imperative you write about something you care about. The successful authors have some emotional connection to their content or story. If you are writing fiction, then write from a place of emotional familiarity. Your genuine experience will come through in your writing and your readers will connect with that. If you are writing a non fiction piece, choose a topic you are passionate or enthusiastic about. After all, if you are going to invest your precious time in what you are writing, you owe it to yourself to write with passion, feeling and enthusiasm.

2. Take risks

Don’t be afraid to put your head, or your hands, on the chopping block when you write. In the world of fiction, you will have no doubt heard about creating characters that are “larger than life”. That doesn’t mean they are giants, it means they go above and beyond and take risks and make decisions that we would not have the courage to take in our own lives. After all, it’s not about what we would do when we are tethered by the restrictions of polite behavior, it’s what we would do in our wildest imaginations that make our readers sit up and take notice.

For the non fiction writer, it’s time for you to take a stand. Take a view and stick with it, presenting your case with conviction and vigor. No one listens to someone who writes meekly, or with a wishy washy hand. Stick your neck out, and don’t be afraid to get it chopped off. All the greatest journalists are the ones who are not afraid to speak their minds. Get into that habit and you’re well on your way to being that next great journalist.

3. Plan

This is definitely the most ignored but equally the most important phase of the writing process. Planning is essential to the success of any undertaking and writing is no different. J.K. Rowling spent 5 years planning the entire Harry Potter series before she put pen to paper on a single word that appeared in the books. If you are writing a short story, novel or screenplay, planning the story before you begin writing is as essential to your success as ink in your pen or power to your laptop. There are some writers who claim to just start with an image or a sentence and then the whole thing just unfolds before them, but the writers who can do this with any degree of success are few and far between. Take the time to plan out your story, at the very least know where your beginning, middle and end are. The more planning you do, the more enjoyable the writing process and the less rewriting and editing you will have to do. The same goes for non fiction pieces, where it’s always advisable to have an outline in place before you write your article or book.

4. Write every day

Joyce Carol Oates said that she would write, even when her soul felt as thin as a playing card, because somehow the act of writing would set it aright. There are going to be times when you just “don’t feel like it”, but like any other job or activity that is important to you, you must still, somehow, sit down every day and write. It has been said that it is by sitting down every day to write that one becomes a writer. Stephen King writes every day, including Christmas Day. Whether you are working on a book, story, article or nothing, still sit down and write something every single day. Even if you only write one page every day, that’s 365 pages in a year and that’s a whole book, isn’t it? When you are a writer, you cannot not write, and writing is like breathing. You have an urge to put things down in print, so to keep that fresh and alive, you need to turn that tap on every day. It’s more than practice. It’s life.

5. Be prepared to work hard

I read somewhere once that John Grisham worked for 4 hours per day and made $20 million per year. Whether that is true or not (about the hours worked or the money he makes) doesn’t matter. It is far more common to hear tales today of the world’s most popular commercial authors working their proverbial butts off to keep up with deadlines, promotional commitments and the ins and outs of their everyday lives. Janet Evanovich gets up and writes every morning at 5am so she can get a full day’s writing in before she has to answer mail, emails and deal with her other affairs of business, Jodi Picoult has a wonderful stay-at-home husband who allows her the luxury of writing through school pick ups and travelling for long periods to do research for her novels. J.K. Rowling also said she (misguidedly) thought that life as an author would be a Jane Austen-type of affair, sitting in a room overlooking a field and writing in anonymity. Of course her life is a whirlwind of book launches, movie premieres, media commitments, school commitments, and of course she has a family with three children. And while we all no doubt wish we had her “problems” it is very obvious that in the early part of the 21st century, the life of an author, successful or not, is a hard-working life. We are either working hard to get noticed, working hard to stay noticed, or working hard to avoid being noticed. Any way you look at it, if you have an aversion to hard work, you need to look elsewhere. Successful authors work hard. Period.

6. Persistence

It is said that persistence outstrips all other virtues. I have a card propped up on my desk that says, “Success seems to be largely a matter of hanging on after others have let go”. Almost every successful author I have studied has said that their success is due, at least in some part, to pure persistence and determination. If your manuscript or article is rejected, rewrite it and submit it again. Or submit it to someone else. The first Harry Potter novel was rejected by every major publishing house before Bloomsbury picked it up for a song. Even so called “overnight successes” have a story behind them about how many times they were rejected, or how many novels or articles they’ve written that have no value other than as fire kindling. The authors that succeed are the ones who don’t stop until they do. It’s that simple. Never give up. Winners never quit, and quitters never win.

7. Let it go

And finally when you have written your article, book or screenplay and have submitted it for publication or approval, let it go. If you’ve done the best you can with it, let it go and trust that it will make its way to where it needs to be. And start something else straight away. Regardless of whether what you have submitted is accepted or rejected, you are a writer and a writer writes. Once you finish one manuscript start immediately on another. If the one you’ve sent is picked up, they’ll be happy that you’ve got something new already, and if not you’re well on your way to finishing your next manuscript.

So those are the 7 Habits of Highly Successful Authors. Adopt these habits yourself, and before you know it, you too will join their ranks!

It is difficult to break into the publishing industry as a new author, and even more difficult to get an acceptance letter from an editor at a large publishing house. As an author you will work hard to finish your book, and work even harder to find the right book publisher. The good news is you can tap into several types of publishers to publish your book. Here is a look at some common types of book publishing.

GROUP PUBLISHING: Group publishing is the process by which a large company publishes your work in the name of a larger company. For example, large publishing companies often operate smaller publishing companies. The larger publishing company serves as an umbrella over the smaller group publishing companies. Sometimes these companies operate several smaller companies and book imprints that produce different genres of writing and books. Sometimes this is referred to trade publishing. For example, a large publishing group may produce best-selling adult novels, but may also operate under a smaller name to produce certain non-fiction books, cookbooks, children’s books, or niche titles. Group publishing is a popular way to publish a book.

EDUCATIONAL PUBLISHING: Educational publishing shares some likeness to trade publishing. These companies deal specifically with educational material. They may deal with only college textbooks, or they might deal with textbooks and materials for grades K-12. Besides textbooks, these companies might also produce other forms of educational material, which include posters, workbooks, CD-ROMS, software, testing material and maps. There are several big name educational publishing companies.

UNIVERSITY PUBLISHING: Better known as the “University Press,” this type of publishing is different from group publishing and it is not the same as scholarly publishing. These types of companies are usually non-profit. Universities, colleges and sometimes museums or other organizations operate these publishing imprints. These publishers usually publish books by scholars and other specialists. Besides distributing their books to bookstores, they also make their book titles available within the university system. Sometimes larger trade publishers publish these types of books.

INDEPENDENT PUBLISHING: Independent publishers are often the best way to publish your book with established distribution channels. Independent publishers are generally small, privately-owned companies. Many times, these companies only publish a handful of books each year and they specialize in certain subjects. They have the freedom to publish just about anything they wish.

SOFTWARE and other MEDIA: You might consider software and other types of media as a publishing option. Think about the many e-books, CD-ROMs and digital downloads, many published by large and small publishing companies. These types of publishing companies are often associated with larger trade publishers. In fact, many large publishing companies have their own in-house media publisher to spawn the traditional paperback book into other types of media. Digital and alternate media is a huge, profitable business, and these publishers are just as important and lucrative as the large trade publishers.

As you can see, you can tap into various publishers who might consider publishing your book. If you are unlucky with a large trade publisher or group publisher, then don’t give up. Keep looking at the different types of publishing companies until you find one that wants to work with you and your book.