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My, my; what a Question, It truly depends on who the villain (ness) is. Are they related to the character? Have they always been around manipulating from the sidelines? Or are they someone who has recently appeared? It also depends on the type of personality they have. Are they outgoing, possibly highly influential or are they

the type that hides and attacks when you back is turned.

Yes you have to give the villain some type of background without going to far, you also to consider are they misguided and will be redeemed in the end, or are they truly going to get what’s coming to them.

Each story has a different Hero/heroine so also each one has a different Villain/villainess as such it is only when the tale unfolds that you truly get to know all the characters involved.

I will always have to deal with evil and all around bad guys for the simple fact I write fantasy, if I ever branch out into other genres I may not even have a villain at all life itself is demanding enough, not too mention most of the hero’s are jerks we have to reform throughout the story.

So do I ever want to whip my bad guys, of course? They wouldn’t be bad guys if we didn’t.

I never really know my characters until they start to come to life on paper and then they surprise the hell out me. But I imagine for those who know what each character is like or at least a rough outline does the same thing for the villain. And some times a secondary character just becomes too nasty not to be the bad guy.

As far as how real we can make them, unless you go inside their minds you have to depend on the other characters to help you build them and tell their story some throughout and explain their actions in the end. While doing all of this you makes them real and believable while telling there past as well.

I am not sure if I answered any questions or just raised a few more. I do know one thing absolute on this subject, if you ask a hundred writers you are going to get a hundred answers, all will be different the only thing the same will be well aren’t villains characters too?

My, my; what a Question, It truly depends on who the villain (ness) is. Are they related to the character? Have they always been around manipulating from the sidelines? Or are they someone who has recently appeared? It also depends on the type of personality they have. Are they outgoing, possibly highly influential or are they

the type that hides and attacks when you back is turned.

Yes you have to give the villain some type of background without going to far, you also to consider are they misguided and will be redeemed in the end, or are they truly going to get what’s coming to them.

Each story has a different Hero/heroine so also each one has a different Villain/villainess as such it is only when the tale unfolds that you truly get to know all the characters involved.

I will always have to deal with evil and all around bad guys for the simple fact I write fantasy, if I ever branch out into other genres I may not even have a villain at all life itself is demanding enough, not too mention most of the hero’s are jerks we have to reform throughout the story.

So do I ever want to whip my bad guys, of course? They wouldn’t be bad guys if we didn’t.

I never really know my characters until they start to come to life on paper and then they surprise the hell out me. But I imagine for those who know what each character is like or at least a rough outline does the same thing for the villain. And some times a secondary character just becomes too nasty not to be the bad guy.

As far as how real we can make them, unless you go inside their minds you have to depend on the other characters to help you build them and tell their story some throughout and explain their actions in the end. While doing all of this you makes them real and believable while telling there past as well.

I am not sure if I answered any questions or just raised a few more. I do know one thing absolute on this subject, if you ask a hundred writers you are going to get a hundred answers, all will be different the only thing the same will be well aren’t villains characters too?

There are more articles than you can count on the internet that all you need to know these days is a mode to search for the right kind of information. That being said, there is a scramble among the different website owners to check for the data being searched by the users so that they can direct these gullible users into visiting their websites and thereby generating revenue for them. The scholarly articles are the ones published by academic publishers or professional organizations.

The targeted audience for these kinds of scholarly articles is usually consistent of specialists in professions and academic disciplines. These scholarly articles are usually subscribed by the individual scholars or university libraries. These articles are taken to be the ones with validation by the academics. Scholarly articles in publications receive what is called in the academic world as peer review and they are authentic.

Before the scholarly articles are in for publication, it is reviewed and accepted by the scholars in the respective field to judge for the scholarly merit, the research value and accuracy. Scholarly articles are normally indicative of the credentials of the particular author and also explain in detail the methodology of research and list the respective footnotes or references used to write the article.

There is the difficulty in order to get to the articles. This is because people write their own articles these days and there have been changes all along the way. There are not a lot of people who have the talent for placing the keywords carefully in the text. There are however more than just writing articles but also placing them on the internet so that they require optimization to get the right keywords in the right places to cater to the search results in the searches initiated by the users.

To find scholarly articles can be quite daunting if you are not aware of what to look for. There are a few for starters as given here. They are written with more scholarly jargon that is understood mostly by the academic fraternity. The scholarly articles are more structured which are likely to include sections like abstract, literature review and conclusion. This is one of the ways to weed out the normal articles that do not follow any specific structure. These articles are also supported by graphs, statistics and photographs. The articles also provide a bibliography that documents the research and possibility for further research.

There are more articles than you can count on the internet that all you need to know these days is a mode to search for the right kind of information. That being said, there is a scramble among the different website owners to check for the data being searched by the users so that they can direct these gullible users into visiting their websites and thereby generating revenue for them. The scholarly articles are the ones published by academic publishers or professional organizations.

The targeted audience for these kinds of scholarly articles is usually consistent of specialists in professions and academic disciplines. These scholarly articles are usually subscribed by the individual scholars or university libraries. These articles are taken to be the ones with validation by the academics. Scholarly articles in publications receive what is called in the academic world as peer review and they are authentic.

Before the scholarly articles are in for publication, it is reviewed and accepted by the scholars in the respective field to judge for the scholarly merit, the research value and accuracy. Scholarly articles are normally indicative of the credentials of the particular author and also explain in detail the methodology of research and list the respective footnotes or references used to write the article.

There is the difficulty in order to get to the articles. This is because people write their own articles these days and there have been changes all along the way. There are not a lot of people who have the talent for placing the keywords carefully in the text. There are however more than just writing articles but also placing them on the internet so that they require optimization to get the right keywords in the right places to cater to the search results in the searches initiated by the users.

To find scholarly articles can be quite daunting if you are not aware of what to look for. There are a few for starters as given here. They are written with more scholarly jargon that is understood mostly by the academic fraternity. The scholarly articles are more structured which are likely to include sections like abstract, literature review and conclusion. This is one of the ways to weed out the normal articles that do not follow any specific structure. These articles are also supported by graphs, statistics and photographs. The articles also provide a bibliography that documents the research and possibility for further research.

Articles are those that are available in plenty these days in the internet. The articles are written by everybody these days and those articles are found to have different types these days. There are scholarly articles that are very informative down to the last number while there are just popular articles that give you information but are not as exhaustive as the scholarly ones. The popular articles can be identified in many ways.

The popular articles are pretty much based on the current topics and are more likely to find place in the magazines and newspapers. They are based on news stories and also magazines. It is important to differentiate between the scholarly articles and the popular press articles. The problem with that while the scholarly articles are very informative, they present only information to the people with the least of interest in the subject, or sometimes have no idea on the subject and the methodology discussed. They are made for by the popular articles that give in information that is only required by the reader. Even in the internet the website owners have recognized this trend and have started to supply only intended information in the form of popular articles.

In general, articles obtained from the scholarly press are viewed as the ones with more authority on the subject. They are a result of a more painstaking research and documentation. The popular articles on the other hand are written by anyone to fulfill the needs of the target audience. They are published more quickly as they are seldom verified.

And offer a less authoritative point of view. There are however points to be noted that both types of articles are visual and content-oriented. It is also important in the context of the articles viewed over the internet that the distinction is made to understand the difference in point of view.

The difference in the types of articles is that popular articles do not have any reference and certainly do not follow any specific structure. They are prone to mistakes in the statistics presented and also sometimes in the facts listed. The popular articles are not verified by academics or the experts in the field. Popular articles are based on the searches made by the users and also on the keywords searched. The keywords have an important bearing on the popular articles as they present the key in catering those articles to the users searching for it. The popular articles are generally to be found on the news websites and also sites that cater to specific issues like sports, environment and the others.

Here’s the question &ndash is it better to have a secondary plot or sub-plots? Here’s another question, which as a reader, and then as a writer do you prefer?

I think you have to have both.

Subplot = A subordinate plot in fiction or drama. In our terms (A relating plot) Basically a hidden plot that some readers miss and writers don’t know they have written, which helps bring the romance to the surface. Also known as twist and turns through out the romance.

A secondary plot is second story happening in the process of the romance. Such as a Mystery Romance, solving the murders.

As a reader I prefer and expect both. As a writer I love the secondary plot and fear the subplot. Not only do you have to worry about coming up with ways for the romance to move foreword and the secondary plot to come to an end but you have to add this hidden tale of the romance. Man what a pain in the ole writers wrist.

What makes a good secondary plot? And what makes a good sub-plot?

Can you give an example? And tell us how you would use those tools to your benefit?

A good Secondary plot has to be strong enough to hold up to the tension of the romance plot, without taking away from it. Basically in my book La Roe’s Finding the murderer and bringing him to justice is the secondary plot.

The subplot was Max teaching Emerald how to love and trust again. This had to happen for Emerald and the real hero Stephan to end up together.

By weaving a good subplot and secondary plot you end up with a gripping romance even if it’s a comedy since all parts play off the main plot, ROMANCE.

Articles are those that are available in plenty these days in the internet. The articles are written by everybody these days and those articles are found to have different types these days. There are scholarly articles that are very informative down to the last number while there are just popular articles that give you information but are not as exhaustive as the scholarly ones. The popular articles can be identified in many ways.

The popular articles are pretty much based on the current topics and are more likely to find place in the magazines and newspapers. They are based on news stories and also magazines. It is important to differentiate between the scholarly articles and the popular press articles. The problem with that while the scholarly articles are very informative, they present only information to the people with the least of interest in the subject, or sometimes have no idea on the subject and the methodology discussed. They are made for by the popular articles that give in information that is only required by the reader. Even in the internet the website owners have recognized this trend and have started to supply only intended information in the form of popular articles.

In general, articles obtained from the scholarly press are viewed as the ones with more authority on the subject. They are a result of a more painstaking research and documentation. The popular articles on the other hand are written by anyone to fulfill the needs of the target audience. They are published more quickly as they are seldom verified.

And offer a less authoritative point of view. There are however points to be noted that both types of articles are visual and content-oriented. It is also important in the context of the articles viewed over the internet that the distinction is made to understand the difference in point of view.

The difference in the types of articles is that popular articles do not have any reference and certainly do not follow any specific structure. They are prone to mistakes in the statistics presented and also sometimes in the facts listed. The popular articles are not verified by academics or the experts in the field. Popular articles are based on the searches made by the users and also on the keywords searched. The keywords have an important bearing on the popular articles as they present the key in catering those articles to the users searching for it. The popular articles are generally to be found on the news websites and also sites that cater to specific issues like sports, environment and the others.

Here’s the question &ndash is it better to have a secondary plot or sub-plots? Here’s another question, which as a reader, and then as a writer do you prefer?

I think you have to have both.

Subplot = A subordinate plot in fiction or drama. In our terms (A relating plot) Basically a hidden plot that some readers miss and writers don’t know they have written, which helps bring the romance to the surface. Also known as twist and turns through out the romance.

A secondary plot is second story happening in the process of the romance. Such as a Mystery Romance, solving the murders.

As a reader I prefer and expect both. As a writer I love the secondary plot and fear the subplot. Not only do you have to worry about coming up with ways for the romance to move foreword and the secondary plot to come to an end but you have to add this hidden tale of the romance. Man what a pain in the ole writers wrist.

What makes a good secondary plot? And what makes a good sub-plot?

Can you give an example? And tell us how you would use those tools to your benefit?

A good Secondary plot has to be strong enough to hold up to the tension of the romance plot, without taking away from it. Basically in my book La Roe’s Finding the murderer and bringing him to justice is the secondary plot.

The subplot was Max teaching Emerald how to love and trust again. This had to happen for Emerald and the real hero Stephan to end up together.

By weaving a good subplot and secondary plot you end up with a gripping romance even if it’s a comedy since all parts play off the main plot, ROMANCE.

Whenever you gather writers together they talk about writing. There are many different types of writers. Those who prefer to compose in long-hand or can only write on an old-fashioned manual typewriter. Those who write to music, demand complete silence, or create best surrounded by noise. You have the writers who must plan and outline before they can begin and those who find even talking about a project before it is drafted can stifle their creativity. But one of the most controversial divisions among writers is about whether writing is a skill, craft, or gift.

I admit that I like to stir the fire a bit because I can argue all three points and depending on how my own writing is going at the moment I may find that one viewpoint carries more weight for me personally.

I know as a teacher of writing that writing is a skill. I have taken people, young and old, who loathed writing and believed they would never be able to write — and provided them with basic tips and tools to become good basic writers. I have taken good basic writers and given them the support and direction they’ve needed to become skilled writers. I’ve watched skilled writers with practice and determination become proficient writers. I have seen this in the classroom, at writing conferences, and in newsrooms. I have witnessed this transformation enough to know that writing is a skill that can be taught and a skill that can be learned.

I know as a writer, editor, and reader that writing is a craft. As the definition reads to craft is “to make or produce with care, skill, or ingenuity”. A skilled writer can capture our interest and convey information, but a writer can also craft a story, poem, or essay that touches our emotions as well as our brains. For those who have gone beyond simply skilled to be craftsmen and craftswomen they can rely on their knowledge, experience, and instinct to create writing that does more than simply delivers — it also sings.

I know as a writer and reader that writing is a gift. Some writers simply possess a special quality that allows them to step beyond and above the huddled masses. For some it is a special ability to shape words into images and ideas and for some it is a unique vision of this world (or another) that speaks to our souls in a way others cannot.

Are writers born or made? Many people argue that some gifted writers are born, but I am not convinced. Perhaps you could have some predisposition but I believe that writers are made. They are made in the rocking chair when Mother reads “Goodnight, Moon”; they are made under the cover with a flashlight when you simply must finish “The Hobbit” for the first time; they are made when you proudly pocket your first library card; they are made when you fill your first notebook; they are made when you submit your first poem, article or story for publication; they are made when you receive your first rejection; and they are made when you turn the computer on every day to write.

I believe some writers are supremely gifted but even so does that mean it was a gift given to them whole or was it a gift developed through years of reading, writing, talking, and thinking about words?

So, I believe, writing is all three — a skill, a craft, and a gift. Some writers find their ability spans all three while others never progress past the level of skill.

Whenever you gather writers together they talk about writing. There are many different types of writers. Those who prefer to compose in long-hand or can only write on an old-fashioned manual typewriter. Those who write to music, demand complete silence, or create best surrounded by noise. You have the writers who must plan and outline before they can begin and those who find even talking about a project before it is drafted can stifle their creativity. But one of the most controversial divisions among writers is about whether writing is a skill, craft, or gift.

I admit that I like to stir the fire a bit because I can argue all three points and depending on how my own writing is going at the moment I may find that one viewpoint carries more weight for me personally.

I know as a teacher of writing that writing is a skill. I have taken people, young and old, who loathed writing and believed they would never be able to write — and provided them with basic tips and tools to become good basic writers. I have taken good basic writers and given them the support and direction they’ve needed to become skilled writers. I’ve watched skilled writers with practice and determination become proficient writers. I have seen this in the classroom, at writing conferences, and in newsrooms. I have witnessed this transformation enough to know that writing is a skill that can be taught and a skill that can be learned.

I know as a writer, editor, and reader that writing is a craft. As the definition reads to craft is “to make or produce with care, skill, or ingenuity”. A skilled writer can capture our interest and convey information, but a writer can also craft a story, poem, or essay that touches our emotions as well as our brains. For those who have gone beyond simply skilled to be craftsmen and craftswomen they can rely on their knowledge, experience, and instinct to create writing that does more than simply delivers — it also sings.

I know as a writer and reader that writing is a gift. Some writers simply possess a special quality that allows them to step beyond and above the huddled masses. For some it is a special ability to shape words into images and ideas and for some it is a unique vision of this world (or another) that speaks to our souls in a way others cannot.

Are writers born or made? Many people argue that some gifted writers are born, but I am not convinced. Perhaps you could have some predisposition but I believe that writers are made. They are made in the rocking chair when Mother reads “Goodnight, Moon”; they are made under the cover with a flashlight when you simply must finish “The Hobbit” for the first time; they are made when you proudly pocket your first library card; they are made when you fill your first notebook; they are made when you submit your first poem, article or story for publication; they are made when you receive your first rejection; and they are made when you turn the computer on every day to write.

I believe some writers are supremely gifted but even so does that mean it was a gift given to them whole or was it a gift developed through years of reading, writing, talking, and thinking about words?

So, I believe, writing is all three — a skill, a craft, and a gift. Some writers find their ability spans all three while others never progress past the level of skill.