Jun
8
When the verdict was read my client smiled broadly and rapidly turned toward me and shook my hand vigorously and patted my shoulder at the same time. His quickness of movement surprised me and as I stared into his smiling eyes and I saw no relief, only gladness. He again reacted when he saw my look and darted his eyes upward as if to thank the ceiling. He brought his gaze back down as open eyed innocence.
“Thank you much, counselor, thanks to you very much!” This time he spoke his congratulations as he continued to shake my hand. “I knew you were a good one, from what I heard and could see you calculate. You got a very good start and this only proves your worth. You have my utmost gratitude and I’m forever thankful.” He grinned widely then spun around to move toward his wife only a few steps away behind the rail.
A couple of other court observers came over to me but I kept a sideways glance at my client. With narrow eyes I could see their blank look at each other then a slight eye movement toward me from him to her that caused her to smile more yet unmoving her glance. They hugged one another as I turned my attention back to who was talking to me.
“For a youngster like yourself you did a meticulous job drawing the reasonable doubt. This was all circumstantial, and they knew it, but it was all they had. Just think they don’t like the couple, they’re kind of liberal with the kids. Nothing but bias, though a tragedy that kid got taken from their school. Good job, Hank.”
“Thanks, Ben; I really appreciate your opinion. It means a lot to me.” I told the older attorney. I figured he was here mostly to watch the proceedings.
As I gathered my paperwork I glanced over to the exit doors and they were already gone. They didn’t stay around for anyone else. They had just left.
The prosecutor nodded at me as he turned to head for the exit but said nothing. I went back to finish up when I noticed the detective standing at my table.
“At least we got them noticed. They’ll probably end up leaving the city to go further away. We’ll keep that trace on them, through the network, wherever they will land. These kind of people, once they got that taste they’ll have to do it again.” He kept his stare at me. “That kid was molested enough to have caused torture. Then they suffocated him. If we find the DNA match it’ll probably be a drifter they hired to ‘walk’ in around the same time. Then all he could say for the money he was paid they told him to pilfer through the living room to look for more cash and take pocket valuables. Just for an insurance claim, they would have told him. Too bad the living room led to the kitchen where the boy supposedly was making a snack. Holding the kid so hard to keep him quiet must of somehow cut off his air. Then to find the kid in the woods clubbed mercilessly with a log to create a messy distraction could have been anyone that carried him that mile. But it wasn’t.” He looked at the exit. “Didn’t you notice how they responded to the not guilty, counselor? It wasn’t with the stress of the falsely accused. You could see that, couldn’t you?”
“No sir,” I told him, “It was a random act. This city is dangerous.”
“They are,” he replied. Then he left.
As I left there was a couple more handshakes from people. Outside the courtroom I sat down on a bench after the court officer refused to look directly at me. I was young but sharp as I had been told and willing to dig through the details until I could make a point. But this was the first time my gut had started to react. And my observance has become keener. Yes, now I know there is something wrong with their story. Everything too pat in their telling and everything too smooth in what must have happened. I am getting better.
I got up to go back to my office for I know there will be more offers. This will help gain wider notice; these people had money and influence. This case will help me in the long run. What matters is the win.
Jun
8
When the verdict was read my client smiled broadly and rapidly turned toward me and shook my hand vigorously and patted my shoulder at the same time. His quickness of movement surprised me and as I stared into his smiling eyes and I saw no relief, only gladness. He again reacted when he saw my look and darted his eyes upward as if to thank the ceiling. He brought his gaze back down as open eyed innocence.
“Thank you much, counselor, thanks to you very much!” This time he spoke his congratulations as he continued to shake my hand. “I knew you were a good one, from what I heard and could see you calculate. You got a very good start and this only proves your worth. You have my utmost gratitude and I’m forever thankful.” He grinned widely then spun around to move toward his wife only a few steps away behind the rail.
A couple of other court observers came over to me but I kept a sideways glance at my client. With narrow eyes I could see their blank look at each other then a slight eye movement toward me from him to her that caused her to smile more yet unmoving her glance. They hugged one another as I turned my attention back to who was talking to me.
“For a youngster like yourself you did a meticulous job drawing the reasonable doubt. This was all circumstantial, and they knew it, but it was all they had. Just think they don’t like the couple, they’re kind of liberal with the kids. Nothing but bias, though a tragedy that kid got taken from their school. Good job, Hank.”
“Thanks, Ben; I really appreciate your opinion. It means a lot to me.” I told the older attorney. I figured he was here mostly to watch the proceedings.
As I gathered my paperwork I glanced over to the exit doors and they were already gone. They didn’t stay around for anyone else. They had just left.
The prosecutor nodded at me as he turned to head for the exit but said nothing. I went back to finish up when I noticed the detective standing at my table.
“At least we got them noticed. They’ll probably end up leaving the city to go further away. We’ll keep that trace on them, through the network, wherever they will land. These kind of people, once they got that taste they’ll have to do it again.” He kept his stare at me. “That kid was molested enough to have caused torture. Then they suffocated him. If we find the DNA match it’ll probably be a drifter they hired to ‘walk’ in around the same time. Then all he could say for the money he was paid they told him to pilfer through the living room to look for more cash and take pocket valuables. Just for an insurance claim, they would have told him. Too bad the living room led to the kitchen where the boy supposedly was making a snack. Holding the kid so hard to keep him quiet must of somehow cut off his air. Then to find the kid in the woods clubbed mercilessly with a log to create a messy distraction could have been anyone that carried him that mile. But it wasn’t.” He looked at the exit. “Didn’t you notice how they responded to the not guilty, counselor? It wasn’t with the stress of the falsely accused. You could see that, couldn’t you?”
“No sir,” I told him, “It was a random act. This city is dangerous.”
“They are,” he replied. Then he left.
As I left there was a couple more handshakes from people. Outside the courtroom I sat down on a bench after the court officer refused to look directly at me. I was young but sharp as I had been told and willing to dig through the details until I could make a point. But this was the first time my gut had started to react. And my observance has become keener. Yes, now I know there is something wrong with their story. Everything too pat in their telling and everything too smooth in what must have happened. I am getting better.
I got up to go back to my office for I know there will be more offers. This will help gain wider notice; these people had money and influence. This case will help me in the long run. What matters is the win.
An important question for any artist is: How can I built a career and simultaneously be true to myself? It’s an important question, and during the twenty years I’ve taught writing, hundreds of students have expressed the belief that success and personal integrity are mutually exclusive.
The Lifewriting
An important question for any artist is: How can I built a career and simultaneously be true to myself? It’s an important question, and during the twenty years I’ve taught writing, hundreds of students have expressed the belief that success and personal integrity are mutually exclusive.
The Lifewriting
Authors in their quest to get published can fall victim to scams. Here’s a few tips to help you avoid the traps.
Online Matching Services and Email Blast Programs
These services, for a fee, put your query letter, synopsis and first chapter online. Acquisition editors and literary agents then have the opportunity to peruse the offerings. You have to ask yourself if you truly believe that the average literary agent, who receives 1100 unsolicited queries a year, has the time to look at these websites.
The reverse, or maybe it’s the inverse, are services that have databases of agents and publishers. You specify the genre of your book and up pops agents/publishers who have said they are interested in your genre. Sometimes the agents/publishers have provided their acquisition specs and sometimes the owner of the database has just input the information from other sources.
Finally there are services who will email blast your query letter to agents/publishers. If the participants have agreed to receive the query letters there is a higher probability you will be successful. But, again you have to wonder, with all the unpublished manuscripts out there looking for a publishing home, why would an agent/publisher feel it necessary to sign up for these types of services.
Book Doctors…but are they quacks?
The beginning author wonders: 1) Do I really have talent? 2) Is my book ready to be marketed, or does it need additional work?
One option is to hire an editing service, sometimes called a book doctor. This is not simply a copy editor who checks for grammar, sentence structure, and spelling. A book doctor looks at the plot, characters, dialogue, continuity and flow.
It almost seems like more people making a living selling editing services&ndashbook doctors, script doctors&ndashthan writers earning a living. In screenwriting, it has become an epidemic. Producers who run out of money have even taken up the script doctoring profession to pay the rent while they are “between films.”
Asking another person to re-write your work is problematic. Who knows your story better than you do? It is extremely difficult to evaluate how talented these editors are, to determine if they are really going to improve your work.
Fees for these services can range from several hundred dollars to five or ten thousand dollars.
Remember that all manuscripts need editing. And that one of the publisher’s jobs is to work with the writer on getting the manuscript ready to publish.
Another option is a critique service; this is usually less expensive. They provide a report of their view of what is good and bad about the work, and perhaps its market potential. They are, at best, just one person’s opinion. If the critique service isn’t a publisher, how do they know what will sell and what won’t.
Marketing Services
There are many companies who provide legitimate services to authors in marketing and promoting their titles. Just because a company requires a fee doesn’t mean it’s a scam.
Having said that, if your book is not offered with industry standard terms, bookstores are highly unlikely to stock it, no matter what the marketing efforts are. Your book must be returnable to the publisher through the major wholesalers. It must be offered with 90 days for payment. It must be offered with at least a 40% discount from the retail price. These terms must be offered from the publisher not the author &ndash unless of course the author is the publisher. Keep in mind that the author must own the ISBN, International Standard Book Number to be considered the publisher.
When a marketing company is unconcerned that the terms are not industry standard you should be concerned.
Authors in their quest to get published can fall victim to scams. Here’s a few tips to help you avoid the traps.
Online Matching Services and Email Blast Programs
These services, for a fee, put your query letter, synopsis and first chapter online. Acquisition editors and literary agents then have the opportunity to peruse the offerings. You have to ask yourself if you truly believe that the average literary agent, who receives 1100 unsolicited queries a year, has the time to look at these websites.
The reverse, or maybe it’s the inverse, are services that have databases of agents and publishers. You specify the genre of your book and up pops agents/publishers who have said they are interested in your genre. Sometimes the agents/publishers have provided their acquisition specs and sometimes the owner of the database has just input the information from other sources.
Finally there are services who will email blast your query letter to agents/publishers. If the participants have agreed to receive the query letters there is a higher probability you will be successful. But, again you have to wonder, with all the unpublished manuscripts out there looking for a publishing home, why would an agent/publisher feel it necessary to sign up for these types of services.
Book Doctors…but are they quacks?
The beginning author wonders: 1) Do I really have talent? 2) Is my book ready to be marketed, or does it need additional work?
One option is to hire an editing service, sometimes called a book doctor. This is not simply a copy editor who checks for grammar, sentence structure, and spelling. A book doctor looks at the plot, characters, dialogue, continuity and flow.
It almost seems like more people making a living selling editing services&ndashbook doctors, script doctors&ndashthan writers earning a living. In screenwriting, it has become an epidemic. Producers who run out of money have even taken up the script doctoring profession to pay the rent while they are “between films.”
Asking another person to re-write your work is problematic. Who knows your story better than you do? It is extremely difficult to evaluate how talented these editors are, to determine if they are really going to improve your work.
Fees for these services can range from several hundred dollars to five or ten thousand dollars.
Remember that all manuscripts need editing. And that one of the publisher’s jobs is to work with the writer on getting the manuscript ready to publish.
Another option is a critique service; this is usually less expensive. They provide a report of their view of what is good and bad about the work, and perhaps its market potential. They are, at best, just one person’s opinion. If the critique service isn’t a publisher, how do they know what will sell and what won’t.
Marketing Services
There are many companies who provide legitimate services to authors in marketing and promoting their titles. Just because a company requires a fee doesn’t mean it’s a scam.
Having said that, if your book is not offered with industry standard terms, bookstores are highly unlikely to stock it, no matter what the marketing efforts are. Your book must be returnable to the publisher through the major wholesalers. It must be offered with 90 days for payment. It must be offered with at least a 40% discount from the retail price. These terms must be offered from the publisher not the author &ndash unless of course the author is the publisher. Keep in mind that the author must own the ISBN, International Standard Book Number to be considered the publisher.
When a marketing company is unconcerned that the terms are not industry standard you should be concerned.
Apr
20
It has become obvious to all but the most unrelentingly stubborn apologists for the oil industry that we now stand at a pivotal moment in the history of our planet. As much fun as it would be to make fun of Al Gore’s pretentious drawl and expanding bald spot, none of us can afford to ignore his clarion call for global change. With humankind’s carbon footprint leaving a catastrophic impact upon Mother Earth, it is the sacred responsibility of every citizen to make a change for the better. We can all agree on that much, but the next question is a lot thornier: How exactly do you start?
As in so many vital areas of life, when confronted by a monumental task it is beneficial to start with something small. In other words, begin by taking a “micro” view of your “macro” problem. Numerous studies have indicated that the more we are taught to respect and even love the tiniest creatures, the deeper connection we will feel to the planet at large. So if you’re looking to address climate change in your own way, you might want to start by picking up a copy of Fables From the Mud by Erik Quisling. This book, simple in structure yet profound in implication, illuminates the plight of Earth’s smallest inhabitants in a style that will make you laugh even as your empathy expands.
The first thing you are apt to notice about Fables is the fluid interchange between illustrations and text. This book has been designed with such a graceful simplicity that you could easily read it cover to cover in a single sitting. Indeed, once you’ve gotten a sense of its sharp humor and cerebral charms, you may be tempted to consume the whole thing while in the middle of a crowded book store.
Try to avoid this temptation, as you will find Fables to be a veritable banquet of philosophical speculation and belly laughs. How in God’s name, you may be wondering, can one book offer such seemingly incongruous rewards? The answer to that question is the secret of Quisling’s triumph. He has crafted three distinct but thematically connected tales,focusing on some of the Earth’s least respected inhabitants: a clam, an ant, and an earthworm. Against all expectation, Quisling turns these lowly invertebrates into heroes of truly epic scale.
By infusing so much ambiguous life and recognizably human foibles into its three-pack of protagonists, Fables allows readers to understand these creatures as reflections of ourselves. Laughable as the clam’s frustration with the emptiness of his existence might seem, is our own periodic despair any less ridiculous? It all comes down to a matter of perspective, which seems to be one of Quisling’s primary lessons.
After reading this timeless book, you may find yourself thinking twice before stepping on the next ant you see crossing the sidewalk. He’s a guest on this ailing planet, just like you. And for all you know, he might be in the middle of an heroic struggle worthy of mention in a book Fables From the Mud.
Apr
20
It has become obvious to all but the most unrelentingly stubborn apologists for the oil industry that we now stand at a pivotal moment in the history of our planet. As much fun as it would be to make fun of Al Gore’s pretentious drawl and expanding bald spot, none of us can afford to ignore his clarion call for global change. With humankind’s carbon footprint leaving a catastrophic impact upon Mother Earth, it is the sacred responsibility of every citizen to make a change for the better. We can all agree on that much, but the next question is a lot thornier: How exactly do you start?
As in so many vital areas of life, when confronted by a monumental task it is beneficial to start with something small. In other words, begin by taking a “micro” view of your “macro” problem. Numerous studies have indicated that the more we are taught to respect and even love the tiniest creatures, the deeper connection we will feel to the planet at large. So if you’re looking to address climate change in your own way, you might want to start by picking up a copy of Fables From the Mud by Erik Quisling. This book, simple in structure yet profound in implication, illuminates the plight of Earth’s smallest inhabitants in a style that will make you laugh even as your empathy expands.
The first thing you are apt to notice about Fables is the fluid interchange between illustrations and text. This book has been designed with such a graceful simplicity that you could easily read it cover to cover in a single sitting. Indeed, once you’ve gotten a sense of its sharp humor and cerebral charms, you may be tempted to consume the whole thing while in the middle of a crowded book store.
Try to avoid this temptation, as you will find Fables to be a veritable banquet of philosophical speculation and belly laughs. How in God’s name, you may be wondering, can one book offer such seemingly incongruous rewards? The answer to that question is the secret of Quisling’s triumph. He has crafted three distinct but thematically connected tales,focusing on some of the Earth’s least respected inhabitants: a clam, an ant, and an earthworm. Against all expectation, Quisling turns these lowly invertebrates into heroes of truly epic scale.
By infusing so much ambiguous life and recognizably human foibles into its three-pack of protagonists, Fables allows readers to understand these creatures as reflections of ourselves. Laughable as the clam’s frustration with the emptiness of his existence might seem, is our own periodic despair any less ridiculous? It all comes down to a matter of perspective, which seems to be one of Quisling’s primary lessons.
After reading this timeless book, you may find yourself thinking twice before stepping on the next ant you see crossing the sidewalk. He’s a guest on this ailing planet, just like you. And for all you know, he might be in the middle of an heroic struggle worthy of mention in a book Fables From the Mud.
Apr
19
The story arc of Shades of Darkness, Shades of Grace covers five years and three elections. Set in Minnesota, home to the nation’s highest voter turn-out, the Pierson family understands that voting is not a right but a privilege, and one they exercise regularly. With 2008 a presidential election year, readers of the novel might view Minnesota as an example for the rest of the country to follow.
Nationally between 1960 and 2004, voter participation in presidential election years declined from 63.1% in 1960 to 55.3% in 2004. There were encouraging blips, as percentages rose between 2000 and 2004, from 51.3% to 55.3%. Still, that pales in comparison to Minnesota where a whooping 76.8% of the population voted in 2004, leading the country in voter participation.
The decline in U.S. voter participation didn’t occur overnight and tangible factors contribute. In the age of YouTube where every politician’s foibles can be looped endlessly on the Internet, voter cynicism is high. Other factors in the nation’s political system also come into play, most notably the weakening of traditional party allegiances. Both the Democratic and Republic parties have been losing clout for years.
In the novel, it’s also clear that the Pierson family is active in DFL politics, hosting fundraisers, handing out candidate literature, and answering phones. Because Minnesota has such stellar turnout, it seemed important to include this subplot. Rather than focusing on the family’s political affiliation, I wanted readers to remember why it’s so essential to exercise a right too many of us take for granted, inspire them to get involved, and remind people that every vote does indeed count.
Don’t believe your vote matters? Jesse “The Body” Ventura didn’t become Governor of Minnesota in 1998 because no one went to the polls. Just the opposite, and for some, the realization of how important each vote is came when they voted for the former WWF wrestler not expecting him to ever win.
Some other great examples of a few votes making a big difference:
In 2002, Dan Sparks was elected to the Minnesota State Senate by five votes, and Mike McGinn won election by 35 votes.
In 1999, Leslie Byrne was elected to the Virginia Senate by 37 votes.
John F. Kennedy won the presidency in 1960 over Richard Nixon by a margin of less than one vote per precinct.
One vote per precinct passed women’s right to vote in California in 1911.
The presidential election of 2000 was a true cliffhanger, too close to call the morning after. At the time, I was working as a course developer for an international consulting firm. A few days before the election, I asked a co-worker if he was planning to vote. He said no, that his vote didn’t matter. I mentioned in passing that was too bad, because in other parts of the world people are willing to die for the privilege to cast their vote in a democratic election. The day after as the world waited in anticipation to see who the next President of the United States would be, Chris informed he had decided to vote after all and was glad he did.
The voting sub-plot in Shades of Darkness helps describe the Pierson family’s political activism in a progressive state. But it also serves as an impetus to get readers involved in their community and the world at large by implementing one of the most important privileges we as Americans have.
Apr
17
The story arc of Shades of Darkness, Shades of Grace covers five years and three elections. Set in Minnesota, home to the nation’s highest voter turn-out, the Pierson family understands that voting is not a right but a privilege, and one they exercise regularly. With 2008 a presidential election year, readers of the novel might view Minnesota as an example for the rest of the country to follow.
Nationally between 1960 and 2004, voter participation in presidential election years declined from 63.1% in 1960 to 55.3% in 2004. There were encouraging blips, as percentages rose between 2000 and 2004, from 51.3% to 55.3%. Still, that pales in comparison to Minnesota where a whooping 76.8% of the population voted in 2004, leading the country in voter participation.
The decline in U.S. voter participation didn’t occur overnight and tangible factors contribute. In the age of YouTube where every politician’s foibles can be looped endlessly on the Internet, voter cynicism is high. Other factors in the nation’s political system also come into play, most notably the weakening of traditional party allegiances. Both the Democratic and Republic parties have been losing clout for years.
In the novel, it’s also clear that the Pierson family is active in DFL politics, hosting fundraisers, handing out candidate literature, and answering phones. Because Minnesota has such stellar turnout, it seemed important to include this subplot. Rather than focusing on the family’s political affiliation, I wanted readers to remember why it’s so essential to exercise a right too many of us take for granted, inspire them to get involved, and remind people that every vote does indeed count.
Don’t believe your vote matters? Jesse “The Body” Ventura didn’t become Governor of Minnesota in 1998 because no one went to the polls. Just the opposite, and for some, the realization of how important each vote is came when they voted for the former WWF wrestler not expecting him to ever win.
Some other great examples of a few votes making a big difference:
In 2002, Dan Sparks was elected to the Minnesota State Senate by five votes, and Mike McGinn won election by 35 votes.
In 1999, Leslie Byrne was elected to the Virginia Senate by 37 votes.
John F. Kennedy won the presidency in 1960 over Richard Nixon by a margin of less than one vote per precinct.
One vote per precinct passed women’s right to vote in California in 1911.
The presidential election of 2000 was a true cliffhanger, too close to call the morning after. At the time, I was working as a course developer for an international consulting firm. A few days before the election, I asked a co-worker if he was planning to vote. He said no, that his vote didn’t matter. I mentioned in passing that was too bad, because in other parts of the world people are willing to die for the privilege to cast their vote in a democratic election. The day after as the world waited in anticipation to see who the next President of the United States would be, Chris informed he had decided to vote after all and was glad he did.
The voting sub-plot in Shades of Darkness helps describe the Pierson family’s political activism in a progressive state. But it also serves as an impetus to get readers involved in their community and the world at large by implementing one of the most important privileges we as Americans have.